Tuesday, January 26th, 2010 at
9:44 am

Product Description
When we stand before crucial thresholds in our lives,” asks poet and philosopher John O’Donohue, “where can we turn for guidance and protection?” On To Bless the Space Between Us, he shares words of wisdom and encouragement to help us traverse such crossings. Covering seven universal levels–Beginnings, Desires, Thresholds, Homecomings, States of the Heart, Callings, and Beyond Endings–O’Donohue delivers with uncommon clarity and lyrical beauty a series of invocations and blessings for everyday grace and contemplation. To illuminate “pathways of presence through the geography of new worlds,” he calls forth the omnipresent aid of the divine that will lead us beyond our limitations. For it is “when we are true to the call of experience,” O’Donohue assures, that “we are true to God.” In the tradition of his classic Anam Cara (Harper, 1998), To Bless the Space Between Us is presented with an earthy eloquence and incomparable resonance by this master of Celtic consciousness–offering listeners an atmospheric and thought provoking collection that rekindles the passionate heart. Music by acclaimed Irish harpist Áine Minogue.
To Bless the Space Between Us: A Collection of Invocations and Blessings
Tuesday, January 26th, 2010 at
5:23 am

Product Description
Studio: Wea-des Moines Video Release Date: 09/14/2004 Rating: Nr
Complete Comedy Video Collection
Monday, January 25th, 2010 at
5:35 pm

Album Description
This collection documents the hits of country music icon Buck Owens as he defined the Bakersfield sound and became a major architect of west coast country overall.Amazon.com
Buck Owens’s role as co-host of Hee Haw hokum was imprinted so strongly on the public’s consciousness that it tends to overshadow his musical legacy. As this set of chart-toppers attests, no country artist dominated the early-to-mid 1960s like the Bard of Bakersfield. His twisted, elongated syllables and twangy interplay with guitarist Don Rich put a signature stamp on material ranging from the uptempo “I’ve Got a Tiger by the Tail”–a pop crossover smash as well–to the heartfelt balladry of “Together Again” and “Only You (Can Break My Heart).” A late ’80s revival of “Streets of Bakersfield” in duet with Dwight Yoakam, Owens’s leading disciple, put Buck back atop the charts. Liner testimonials from Chris Isaak and ZZ Top’s Billy Gibbons attest to the reach of his influence, while his breakthrough hit, “Act Naturally,” inspired a popular cover (on the Help! album) by the Beatles. –Don McLeese
21 #1 Hits: The Ultimate Collection
Sunday, January 24th, 2010 at
11:36 pm

Product Description
No Description Available
Track: 10: 10.Spanish Eddie,
Track: 11: 11.All Night With Me,
Track: 12: 12.Lovin’ You Baby,
Track: 13: 13.Shattered Glass,
Track: 14: 14.Never In A Million Years,
Track: 15: 15.Moonlight On Water,
Track: 16: 16.Satisfaction,
Track: 17: 17.If You Loved Me,
Track: 18: 18.Silent Partners,
Track: 1: 1.Gloria,
Track: 2: 2.Self Control,
Track: 3: 3.Lucky One,
Track: 4: 4.Solitaire,
Track: 5: 5.Power Of Love,
Track: 6: 6.How Am I Supposed To Live Without You,
Track: 7: 7.Ti Amo,
Track: 8: 8.I Found Someone,
Track: 9: 9.Will You Still Love Me Tomorrow
Media Type: CD
Artist: BRANIGAN,LAURA
Title: PLATINUM COLLECTION
Street Release Date: 07/25/2006
Import
Genre: ROCK/POP
Laura Branigan Platinum Collection
Sunday, January 24th, 2010 at
5:51 am

Amazon.com
Motown did so many things well in the ’60s and early ’70s that this overview of the label’s smashes (and some lesser-known classics) practically demands four CDs. It gets them, too, filling them with single mixes of more than 100 tracks. That the running order begins with Barrett Strong’s statement of purpose “Money (That’s What I Want)” and ends with Marvin Gaye’s statement of concern “Mercy Mercy Me (The Ecology)” says a lot about how far the company moved in its golden decade–but no more so than what the same two cuts’ differences in sound get across. The company was able to blend the smooth and the harsh in ways that few other pop entities have ever mastered, thereby getting over not only to the feet and the wallet, but to the heart. –Rickey Wright
Hitsville USA, Vol. 1: The Motown Singles Collection 1959-1971
Sunday, January 24th, 2010 at
3:12 am

Album Description
2003 compilation for the symphonic composer & world music star features 17 tracks including 3 tracks, ‘Behind The Window’, ‘White Night’, & ‘Cadenza’, recorded for this collection. BMG.
Echoes: The Einaudi Collection
Sunday, January 24th, 2010 at
1:47 am

Album Description
All-Music Guide writer Alex Henderson put it best: “No White artist has sung R&B more convincingly than Teena Marie.” This tempest is a teacup, or “little munchkin White girl,” as mentor Rick James once referred to her, belted out some of the most robust, authentic R&B of the late-’70s.
From the get-go, her identity was shrouded in secrecy. To prolong the ruse, her debut album on Gordy featured no photos of her, only a soft-focus image of the sea and sky. The ploy worked: Her first single, “I’m a Sucker for Your Love,” a duet with Rick James, reached #8 R&B. When the truth was learned and the jig was up, it was too late: an R&B hitmaker was let lose, and there was no stopping her. Between ‘79 and ‘91, she had 23 R&B hits; of those Seven were Top 10.
For the First Time, her finest fire from both her Gordy/Motown and Epic years is captured on a single CD, including “I Need Your Lovin’”; “Suqare Biz”; “Lovergirl”; her two duets with Rick James, “I’m a Sucker for Your Love” and “Fire & Desire”; and her tribute to fellow Motown-to-Sony defector, Marvin Gaye, “My Dear Mr. Gaye.”
Teena Marie: Ultimate Collection
Saturday, January 23rd, 2010 at
7:41 pm

Amazon.com
Screw Barry Manilow–it was Kenneth “Babyface” Edmonds who really wrote the songs the whole world sings. From the late ’80s to the mid-’90s, no single artist owned the R&B and pop charts with a tighter or more fluid grip than Babyface (and his then partners L.A. Reid and Darryl Simmons), and this Greatest Hits collection is proof of this singer-songwriter/producer’s way with romance and rhythm. The catch is that this CD contains only the smashes Face kept for himself: a definitive collection of the songs he handed to others would constitute a box set. This CD covers his solo efforts, from the tangy “Whip Appeal” to the aching “Every Time I Close My Eyes” and the understated “When Will I See You” (arguably the first R&B acoustic power ballad). With two new cuts and a live version of the Grammy-winning “Change the World,” these 14 tracks sum up an era in R&B when wearing one’s heart on one’s sleeve and reaching for the most nuanced of melodies was an act of creative revolution. Sure, some called his act corny, but, as this CD proves, Babyface made minor classics that sound just as gentle and persuasive today as they did back then. –Amy Linden
Babyface – A Collection of His Greatest Hits
Saturday, January 23rd, 2010 at
3:37 am

Product Description
Create a perfect night out by gathering friends and family around a pot of warm melted cheese, chocolate or a cooking style eager to add flavor to your favorite dipper. The Melting Pot dares you to Dip Into Something Different® with this collection of recipes from our fondue to yours.
Dip Into Something Different: A Collection of Recipes from Our Fondue Pot to Yours
Friday, January 22nd, 2010 at
8:48 pm

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No Description Available
No Track Information Available
Media Type: CD
Artist: BUFFETT,JIMMY
Title: MEET ME IN MARGARITAVILLE-ULTIMATE COLLECTION
Street Release Date: 04/15/2003
Domestic
Genre: ROCK/POPAmazon.com
Jimmy Buffett may have made his millions, but that doesn’t mean that he has eased up on his workload. After releasing 33 albums, mounting grueling annual tours, and fashioning an entire industry and lifestyle out of his signature song “Margaritaville,” Buffett trots out this two-CD collection. Yet, Meet Me in Magaritaville, which spans 30 years, isn’t merely a retread of his long, storied career. Buffett has written two new songs for the package and re-recorded six alternative versions of fan favorites (including a moving version of “The Captain and the Kid,” which he included for his ailing father, who died shortly after the album’s release). He’s also added two new cover songs–a spicy bossa nova version of Fred Neil’s “Everybody’s Talking” and the Beach Boys’ “Sail on Sailor”–as well four live tracks, which shows the singer at his best, conjuring up his own Yuppie Atlantis, an idyllic place where no one has to wear shoes, the sun is always shining, the bar never closes, and Junior Mints are always available at every cinema. A must-have collection for every Parrothead (or aspiring Parrothead), if only for Buffett’s track-by-track descriptions. –Jaan Uhelszki
Meet Me In Margaritaville: The Ultimate Collection